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@PHDTHESIS{Czarnetta:59379,
author = {Czarnetta, Oliver},
othercontributors = {Beyer, Andreas},
title = {{N}eugotik in {A}achen - die {W}erkstatt {G}ötting},
address = {Aachen},
publisher = {Publikationsserver der RWTH Aachen University},
reportid = {RWTH-CONV-121168},
pages = {164 S. : Ill.},
year = {2004},
note = {Aachen, Techn. Hochsch., Diss., 2003},
abstract = {Against the background of the so-called "Kulturkampf", many
gothic buildings in Germany were restored or supplemented.
The Aachen Cathedral provided an exellent possibility for
restoring it in a gothic manner: More than 90
stone-sculptures were fixed at the front of 4 gothic parts
of the Cathedral. They were created in Gottfried Götting´s
sculpture-studio in Aachen over a period of 10 years
(1864-1874). The work-process was observed strictly by the
Aachen Cathedral-chapter and the Archibishopric in Cologne.
In competition with these two institutions was the Aachen
Cathedral Association, the so called "Karlsverein". The
sculptures´ heights range from 39 cm to 260 cm. The vast
majority of them is made of french limestone, called
Savonnière, and only few consist of sandstone from
Udelfang. Apart from one chapel, the sculptures of the other
building-parts are concerned with the overall theme of
displaying praise to the Virgin Mary. Pictures and
sculptures of the regional tradition, referred to as
"International Style" served as ideal patterns which
Götting used for his sketches and models. The study in
question reveals and emphasises the extraordinary making and
style of the Aachen sculptures as opposed to those of the
Cologne Cathedral. Although the Cologne statues can be
viewed as ideals, because the city was the centre of
neo-gothic art, there are some crucial differences between
them and the Aachen sculptures. Göttings sculptures are
more refined and more graceful, they are not influenced as
much by the "Kulturkampf" but present a wide range of human
qualities and Christian values. In contrast, the heavy and
monumental Cologne statues evoke a different impression:
Their expression seems to be limited to pathos and
magnitude, which stress the Catholic Church´s pretensions
of power and importance. The cologne statues are more
obviously influenced by political issues. They depict rather
impersonal and monumental aspects. The extraordinary quality
of the Aachen sculptures is that they provide the recipient
with the possibility of identifying with them. The study
provides an important basis for further research on the
neo-gothic tradition in Aachen, because it presents a
detailed account of the major work of Aachen´s leading
neo-gothic sculpture-studio. Götting´s estate is now to be
found in Waldfeucht/ Heinsberg as private property. Its
publication would help to develop the study´s main ideas
and would add greater preciseness to the presented
conclusions. Kulturkampf = struggle for power between public
authority and the Catholic church in the 19. century.},
keywords = {Götting, Gottfried (SWD) / Bauplastik (SWD) / Aachen / Dom
(SWD)},
cin = {700000},
ddc = {730},
cid = {$I:(DE-82)700000_20140620$},
typ = {PUB:(DE-HGF)11},
urn = {urn:nbn:de:hbz:82-opus-8094},
url = {https://publications.rwth-aachen.de/record/59379},
}