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@PHDTHESIS{Ahn:59685,
      author       = {Ahn, Jae-Lyong},
      othercontributors = {Urban, Günter},
      title        = {{A}ltar und {L}iturgieraum im römisch-katholischen
                      {K}irchenbau : eine bauhistorische {B}etrachtung unter
                      besonderer {B}erücksichtigung der {V}eränderung des
                      {S}tandorts des {A}ltars nach dem {Z}weiten {V}atikanischen
                      {K}onzil (1962 - 1965)},
      address      = {Aachen},
      publisher    = {Publikationsserver der RWTH Aachen University},
      reportid     = {RWTH-CONV-121447},
      pages        = {242, 20 S. : Ill., graph. Darst.},
      year         = {2004},
      note         = {Aachen, Techn. Hochsch., Diss., 2004},
      abstract     = {The Christian altar came from the table, at which Jesus ate
                      the Last Supper with the Twelve. Without doubt, the table
                      stood in the middle of the room. However, the infant church
                      did not consider the table as a liturgical device, but only
                      as a dining table. Every table could be used for the Holy
                      Communion and every room as a liturgy room. With the merging
                      of the liturgy of the word with the liturgy of the Eucharist
                      (70 A.D.), the ultimate division of the church from Judaism
                      (70-136 A.D.) and the separation of the Eucharist from the
                      Agape (around 110 A.D.), the liturgy room was transformed
                      into a longitudinal building with a West-East axis. When the
                      church was allowed to build its own buildings, a table for
                      the eucharistic celebration was then considered part of the
                      furnishing of the liturgy room. At the same time, the
                      arrangement between the cathedra and the congregation must
                      have been gradually authorized. Since the epoch of
                      Constantine, "basilica" is used in reference to church
                      buildings. The altar stood in the apse, or in the apse area.
                      With the reorientation of the facilities in the church
                      buildings, – putting the apse to the East and changing the
                      position of the priest, – the position of the altar was
                      changed. In the Middle Ages, the liturgy became a clerical
                      liturgy and the Mass a choir Mass. There was a spatial
                      separation between the clerical and public liturgy room with
                      the rood screen. At that time, every church had a cross
                      altar deep in the nave, – in many churches in their
                      centre, – which acts as a second high altar for the
                      congregation. The understanding of God and the World which
                      had changed since the Renaissance did not venture to shake
                      the old custom. In the Age of Baroque, the tendency of the
                      altar shifting towards the East finally appeared to be
                      formally finished: the cross altar was removed from the
                      nave, and the High Altar and the liturgy room formed a
                      spatial unity. With the modern liturgy movement from 1909
                      the position of the altar began to move. The celebration
                      versus populum was practiced. The liturgy room was
                      centralized. The altar moved to the centre of the liturgy
                      room. The Second Vatican Council (1962/65) legitimated this
                      tendency. The altar became the centre of the liturgy room.
                      Many old churches received also a new altar, which was moved
                      closer to people, in the many great churches to the crossing
                      area. After the Second Vatican Council, the parish centres
                      were mainly built, the multifunctional room was promoted to
                      a liturgy room and the church was integrated in the centre
                      of the new settlements. The necessity of the church building
                      was being challenged. In midst of this situation, the sacral
                      church building is again revived. Beside the centralized
                      church buildings, longitudinal church buildings start
                      appearing. There are also new test models: an attempt to
                      change the locations for the liturgy of the word and the
                      liturgy of the Eucharist, the principle of the church as the
                      activity room and a new development of the liturgy room with
                      two focuses (altar and ambo) and an activity room in the
                      centre, which is an ellipse model for the church rooms. The
                      altar is a symbol for Christ and his act of the salvation.
                      It is the spiritual and artistic centre. Although, according
                      to the today's interpretation, the church does not need a
                      sacred room and every table can be used for the Holy
                      Communion, a correctly located altar in the liturgy room can
                      help the congregation to experience Christ and his work as
                      the centre of their lives.},
      keywords     = {Katholische Kirche (SWD) / Kirchenbau (SWD) / Presbyterium
                      <Architektur> (SWD) / Geschichte (SWD)},
      cin          = {200000},
      ddc          = {720},
      cid          = {$I:(DE-82)200000_20140620$},
      typ          = {PUB:(DE-HGF)11},
      urn          = {urn:nbn:de:hbz:82-opus-8672},
      url          = {https://publications.rwth-aachen.de/record/59685},
}