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@PHDTHESIS{Klein:61978,
author = {Klein, Annette},
othercontributors = {Siepmann, Helmut},
title = {{D}as {A}ndere {S}chreiben : {S}atire gegen die {F}rau und
gegen die {E}he als {S}chreibmodell in lateinischen und
altfranzösischen {T}exten des 12. und 13. {J}ahrhunderts},
address = {Aachen},
publisher = {Publikationsserver der RWTH Aachen University},
reportid = {RWTH-CONV-123580},
pages = {337 S.},
year = {2004},
note = {Aachen, Techn. Hochsch., Diss., 2003},
abstract = {The present thesis is primarily meant as a contribution to
the theory and history of the literary genre of satire,
which has been the object of controversial debate in the
general theory of genre as well as in the history of
medieval literature. The inquiry crosses the boundaries of
Romance and Latin Philology and shows that, especially in
the field of satirical and didactic literature, close
relationships between vernacular and learned literature call
for a comparative analysis. Moreover, it offers new insight
into the medieval discourse on women, based on extensive
interpretation and analysis of satirical and didactic texts,
some of which have not yet been edited and have rarely been
studied before. The primary tool of analysis is a model for
the description of satire that states the tension between
norm and transgression, between the constraint of
justification and the freedom of literary and rhetorical
play as the central characteristic of medieval satire.
Various possible ways of resolving this inner tension are
worked out through an analysis of misogynous and misogamous
texts of the Middle Ages. This analysis shows at the same
time that the gender problem brings a new focus to bear on
the literary-theoretical problem of normativity in literary
satire. The emphasis lies on a corpus of Old French and
Latin literature about the estates, the so-called revues
d'Estats and the sermons to women from the 13th-century ad
status collections. This choice is supplemented by instances
of Latin exempla and Old French fabliaux and misogynous
dits. The final chapter gives a new interpretation of Jean
de Meun's Roman de la Rose, which is seen as a literary
satire dealing with feminity and misogyny as key concepts
leading to the central problem of the autonomy of the
ethical subject. It is through the blending of the problems
of gender and satire that the Roman de la Rose finally makes
us aware of the possibility of overcoming the distance
between the subject and the Other in the medium of
literature.},
keywords = {Altfranzösisch (SWD) / Mittellatein (SWD) / Satire (SWD) /
Frauenfeindlichkeit <Motiv> (SWD) / Geschichte 1100-1300
(SWD)},
cin = {700000},
ddc = {840},
cid = {$I:(DE-82)700000_20140620$},
typ = {PUB:(DE-HGF)11},
urn = {urn:nbn:de:hbz:82-opus-7606},
url = {https://publications.rwth-aachen.de/record/61978},
}
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