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@PHDTHESIS{Fusenig:62058,
      author       = {Fusenig, Annette},
      othercontributors = {Heinen, Armin},
      title        = {{W}ie man ein '{W}eltfest des {P}ferdesports' erfindet -
                      {D}as {A}achener {S}pring-, {R}eit- und {F}ahrturnier 1924
                      bis 1939},
      address      = {Aachen},
      publisher    = {Publikationsserver der RWTH Aachen University},
      reportid     = {RWTH-CONV-123656},
      pages        = {323 S.},
      year         = {2004},
      note         = {Aachen, Techn. Hochsch., Diss., 2004},
      abstract     = {The ‘Concours Hippique International Officiel’ (CHIO)
                      organised by the Aachen Laurensberger Rennverein (A.L.R.V.)
                      and self-appointed ‘world festival of equestrian sport’
                      constitutes until today the largest riding and driving event
                      of the world. The key to a story of success has been the
                      ability of the organisers to adapt and prevail over all
                      economic and political turmoils and to maintain its
                      character of a cultured public festival ever since its
                      beginnings. A decisive factor for this was the city
                      council’s and the organisers’ joint ambition to increase
                      symbolic capital and prestige for Aachen. The event
                      qualified from the start to launch independent symbols with
                      a unified definition and new, unrelated connotations. During
                      both political systems - the Weimarer Republic and the
                      ‘Third Reich’ - the city council as well as the
                      association (A.L.R.V.) proved to be capable of using the
                      symbolic capital of the tournament for their own concerns,
                      to foster them and to obtain financial benefits from them.
                      An important aspect of this achievement was, that for the
                      Aachen riding and driving event the symbols and the personal
                      world of the aristocracy, the middle classes and the working
                      classes all existed and interacted at the same time to
                      create a community festival of which the bourgeois elites of
                      Aachen took guidance. In order to give a clear survey of the
                      situation, the dissertation is structured into four
                      chapters: Equestrian sport before 1924, the Weimarer
                      Republic, the ‘Third Reich’ and post World War 2. This
                      dissertation focuses on the years 1924, the beginning of the
                      Aachen equestrian event in its present form, to the year
                      1939, when the last tournament before the war took place.
                      The first part of the text examines the origins of
                      equestrian sport in Aachen pre 1924 with an emphasis on its
                      origins in the 19th century as well as on the political and
                      socio-economic structures of the region between 1918 and
                      1924. Both of the two main chapters commence with an
                      investigation on the journalism on horse riding and the
                      Aachen tournament, before describing the course of the
                      events themselves. In addition, the history of the A.L.R.V.
                      and the support conferred by the city for this sports
                      festival have been analysed. Furthermore, the sequence of
                      events within the tournament and the way certain elements of
                      it interact and interconnect are depicted: the preparation
                      and progression of the tournament, the festive speeches, the
                      spectators’ responses to the winners of the competitions
                      and the connotations and effects of the symbols and
                      pictures. The thesis also explains the meaning and influence
                      of certain groups, such as politicians, civil servants of
                      the city of Aachen, prominent officials and outstanding
                      horsemen. The Aachen horse riding championship is in a
                      cursory manner used as a model to identify changes in the
                      mentality of the middle classes, their bourgeois
                      self-confidence, values and goals in the 20th century. The
                      tournament can be seen as a micro historical model or a
                      burning glass for the political and social self-esteem of
                      the regional citizens in the first half of the 20th century.
                      Its success stems from its character as a ‘public
                      festival’ and the high degree of self-identification of
                      the citizens of Aachen with their annual event. Throughout
                      the following decades the riding and driving event took its
                      position as the ‘world festival for equestrian sport’ in
                      the communal recollection of the city. To the present day,
                      the celebrations of carneval, the presentation of the
                      Karlspreis and the ‘calvalcade’ form the established
                      highlights of the cultural life of Aachen.},
      cin          = {700000},
      ddc          = {796},
      cid          = {$I:(DE-82)700000_20140620$},
      typ          = {PUB:(DE-HGF)11},
      urn          = {urn:nbn:de:hbz:82-opus-10008},
      url          = {https://publications.rwth-aachen.de/record/62058},
}