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TY  - THES
AU  - Akbari Azirani, Sedigheh
TI  - Imaginaire de l’environnement dans les Méditations poétiques d’Alphonse de Lamartine et l’oeuvre poétique de Nima Youshidj
VL  - 12
PB  - RWTH Aachen University
VL  - Dissertation
CY  - Düren
M1  - RWTH-2022-07190
SN  - 3-8440-8685-4
T2  - Aachener romanistische Arbeiten
SP  - 253 Seiten
PY  - 2022
N1  - Dissertation, RWTH Aachen University, 2021
AB  - Abstract: How does literature manage to represent a landscape and express the experience of that landscape? This question, which is the main objective of this study, is analyzed in our study on the conception of the environment in Alphonse de Lamartine's “Méditations poétiques” and in the poetic work of Nima Youshidj. Modern thought has moved away from the symbolic reflection of landscape and made landscape an objective object. The symbolic aspects of the place are presented up to the modern objective reflection on the landscape and its literary memories; in fact, the landscape here is an external image presented to the gaze, which changes according to the perspective, imagination and sensibility of the person viewing and describing it. Since the concept of Jean-Pierre Richard, landscape has become the subject of an increasingly important theory. Romantic poetry was born from the urge to respond to the call of the landscape. It is a spatial art that abandons the plot in favor of the poet's passions and reverie: "This spatiality of poetic prose establishes a correspondence between the microcosm of the text and the macrocosm of the world, expressing the distance of a subject immersed in the ecstatic experience of the landscape to the dimensions of the universe” (Collot 2005: 41). The appearance of "Méditations poétiques" marks the history of poetry with the birth of Romanticism in France. Lamartine, a reader of Chateaubriand the great landscape poet, became famous for his "Méditations poétiques" as he knew how to influence and move a poetic renewal through nature and the tremors of the soul. Like any great literary or artistic creation, the "Méditations poétiques" form a whole world unto themselves; everything seems staged, as if to enter this world you have to follow a path that leads to contemplating a landscape and imagining a universe of sensitivity. The question of the literary landscape is then posed with remarkable intensity in relation to literary criticism: What is actually the tendency of literary criticism when it uses this word "landscape"? To answer this question, Michel Collot examines in particular the definition that literary criticism ascribes to the notion of landscape and in particular to thematic criticism in Jean-Pierre Richard. He points out that "thematic criticism is the type of approach to subjects and texts exhibited, especially in France, by Gaston Bachelard in the works of Georges Poulet, Jean Starobinski and Jean-Pierre Richard" (Collot 1988: 79). . Jean-Pierre Richard is, in fact, the only one who has given landscape as a subject real solidity and a truly literary spirit. The study of the landscape is emphasized in his two works, Paysage de Chateaubriand and Pages Paysage. In this study we will also try to use the Bachelardian approach to an analysis of the elements of the landscape and focus our attention on the secret structure of the landscape paintings. Our study is part of the perspective of poetic analysis of the poetic landscape. We will focus on Lamartine's "Méditations poétiques" and Nima's poems and the images these works give of the landscape. We will try to define the characteristics of these images: their elements and symbolic states, their frames and meanings, the words and phrases used to describe the state of mind that witnesses the encounter with these landscapes, as well as the spatio-temporal situation, in which these landscapes are located. Our study consists in observing the resonances of Lamartine poetry in the words and poetry of Nima. This leads us in this comparative study to question the exemplary figure of Nima in Persian poetry, like Lamartine romantic poetry. Key words: representation of the environment, landscape, images, image of reverie, symbols, romantic poetry, Persian poetry, thematic criticism.
LB  - PUB:(DE-HGF)11 ; PUB:(DE-HGF)3
DO  - DOI:10.2370/9783844086850
UR  - https://publications.rwth-aachen.de/record/850014
ER  -