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@PHDTHESIS{AkbariAzirani:850014,
author = {Akbari Azirani, Sedigheh},
othercontributors = {Rieger, Angelica and Ströbel, Liane Susanne and
Poppenberg, Gerhard},
title = {{I}maginaire de l’environnement dans les {M}éditations
poétiques d’{A}lphonse de {L}amartine et l’oeuvre
poétique de {N}ima {Y}oushidj},
volume = {12},
school = {RWTH Aachen University},
type = {Dissertation},
address = {Düren},
publisher = {Shaker Verlag},
reportid = {RWTH-2022-07190},
isbn = {3-8440-8685-4},
series = {Aachener romanistische Arbeiten},
pages = {253 Seiten},
year = {2022},
note = {Dissertation, RWTH Aachen University, 2021},
abstract = {Abstract: How does literature manage to represent a
landscape and express the experience of that landscape? This
question, which is the main objective of this study, is
analyzed in our study on the conception of the environment
in Alphonse de Lamartine's “Méditations poétiques” and
in the poetic work of Nima Youshidj. Modern thought has
moved away from the symbolic reflection of landscape and
made landscape an objective object. The symbolic aspects of
the place are presented up to the modern objective
reflection on the landscape and its literary memories; in
fact, the landscape here is an external image presented to
the gaze, which changes according to the perspective,
imagination and sensibility of the person viewing and
describing it. Since the concept of Jean-Pierre Richard,
landscape has become the subject of an increasingly
important theory. Romantic poetry was born from the urge to
respond to the call of the landscape. It is a spatial art
that abandons the plot in favor of the poet's passions and
reverie: "This spatiality of poetic prose establishes a
correspondence between the microcosm of the text and the
macrocosm of the world, expressing the distance of a subject
immersed in the ecstatic experience of the landscape to the
dimensions of the universe” (Collot 2005: 41). The
appearance of "Méditations poétiques" marks the history of
poetry with the birth of Romanticism in France. Lamartine, a
reader of Chateaubriand the great landscape poet, became
famous for his "Méditations poétiques" as he knew how to
influence and move a poetic renewal through nature and the
tremors of the soul. Like any great literary or artistic
creation, the "Méditations poétiques" form a whole world
unto themselves; everything seems staged, as if to enter
this world you have to follow a path that leads to
contemplating a landscape and imagining a universe of
sensitivity. The question of the literary landscape is then
posed with remarkable intensity in relation to literary
criticism: What is actually the tendency of literary
criticism when it uses this word "landscape"? To answer this
question, Michel Collot examines in particular the
definition that literary criticism ascribes to the notion of
landscape and in particular to thematic criticism in
Jean-Pierre Richard. He points out that "thematic criticism
is the type of approach to subjects and texts exhibited,
especially in France, by Gaston Bachelard in the works of
Georges Poulet, Jean Starobinski and Jean-Pierre Richard"
(Collot 1988: 79). . Jean-Pierre Richard is, in fact, the
only one who has given landscape as a subject real solidity
and a truly literary spirit. The study of the landscape is
emphasized in his two works, Paysage de Chateaubriand and
Pages Paysage. In this study we will also try to use the
Bachelardian approach to an analysis of the elements of the
landscape and focus our attention on the secret structure of
the landscape paintings. Our study is part of the
perspective of poetic analysis of the poetic landscape. We
will focus on Lamartine's "Méditations poétiques" and
Nima's poems and the images these works give of the
landscape. We will try to define the characteristics of
these images: their elements and symbolic states, their
frames and meanings, the words and phrases used to describe
the state of mind that witnesses the encounter with these
landscapes, as well as the spatio-temporal situation, in
which these landscapes are located. Our study consists in
observing the resonances of Lamartine poetry in the words
and poetry of Nima. This leads us in this comparative study
to question the exemplary figure of Nima in Persian poetry,
like Lamartine romantic poetry. Key words: representation of
the environment, landscape, images, image of reverie,
symbols, romantic poetry, Persian poetry, thematic
criticism.},
cin = {794320},
ddc = {800},
cid = {$I:(DE-82)794320_20140620$},
typ = {PUB:(DE-HGF)11 / PUB:(DE-HGF)3},
doi = {10.2370/9783844086850},
url = {https://publications.rwth-aachen.de/record/850014},
}
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